Author: asianbaseballb45a112232

The First Japanese Professional Game Took Place in …. Kansas?

by Rob Fitts

The first Japanese professional baseball game took place not in Tokyo, not in Osaka, or even in Japan, but in a tiny town in Northeastern Kansas.

In 1906 much of United States was enthralled by Japan and all things Japanese. Japan had just emerged as the improbable victor in the Russo-Japanese War and the year before the Waseda University baseball club had toured the West Coast. Guy W. Green, the owner of the Nebraska Indians Baseball Club, decided to capitalize on the fad by creating an all-Japanese baseball team to barnstorm across the Midwest. It would be the first Japanese professional team on either side of the Pacific.

Guy W. Green (center) with his Nebraska Indians Base Ball team ca. 1905

The early twentieth century was the heyday of barnstorming baseball. Independent teams crisscrossed the country playing in one-horse towns and large cities. There were all female teams, squads of only fat men, clubs of men sporting beards, and teams consisting of “exotic” ethnicities. These independent squads were often called “semi-professional” to differentiate them from teams in Organized Baseball (clubs formally associated with Major League Baseball), but they were professional enterprises. The teams signed players to contracts, paid salaries during the season, provided transportation and housing on the road, charged admission to games, and were intent on turning a profit.

Although Green would claim that he had “scour[ed] the [Japanese] empire for the best players obtainable,” he did nothing of the sort. In early 1906 Green instructed Dan Tobey, captain of the Nebraska Indians, to form a team from Japanese immigrants living in California. Players congregated our March 15 in Havelock, Nebraska for two weeks of practice. It soon became evident that not all of his recruits were strong enough to play on a professional independent squad, so Green and Tobey decided to bolster his roster with Native Americans —hoping that most spectators would not be able to tell the difference.

The starting lineup featured five Japanese: Toyo Fujita, a writer for the Rafu Shimpo newspaper, at first base; Tetsusaburo Uyeda from Yamaguchi Prefecture at second; 21-year-old Ken Kitsuse from Kagoshima at short; and 21-year-old Umekichi “Kitty” Kawashima from Kanagawa and a man identified only as Naito in the outfield. Manager Dan Tobey and Nebraska Indian veteran Sandy Kissell shared the pitching duties and played outfield on their off days. Seguin, another member of the Nebraska Indians, was the catcher. Roy Dean Whitcomb, an 18-year-old Caucasian from Lincoln, usually played third base under the name Noisy, while a man known only as Doctor filled in as necessary.

1906 Advertising Card,
Ken Kitsuse Collection, National Baseball Hall of Fame

On evening of April 13, Green’s Japanese Base Ball Team left Havelock and headed south to begin a twenty-five-week tour that would cover over twenty-five hundred miles through Nebraska, Kansas, Oklahoma, Texas, Arkansas, Indiana, Illinois, Iowa, and Missouri. Their first stop was Frankfort, a small town of about 1,400 people in northeastern Kansas, where they would play the town’s high school squad.

Frankfort, Kansas circa 1906

Prior to the game, Guy Green sent out promotional material and flooded local newspapers with advertising and press releases. At the time, there were so few Japanese living in the Midwest that many rural farmers had never seen a Japanese person. So, Green’s advertisements emphasized the players’ foreignness and the uniqueness of the team. A typical announcement read, “Green’s [team] are the most novel baseball organization the world has ever known. Every player is a genuine Japanese. Not one of them can speak a word of English. They do all their coaching in Japanese and is certainly the most Japanesy Japanese you have ever listened to.”

Playing on the public’s fascination with the Russo-Japanese War, Green also concocted fictional backgrounds for his players. An April 13, 1906 article in the Frankfort Review noted, “One of the most interesting members of Green’s Japanese baseball team is Kitsuse, who left school in Japan to serve during the last great war with Japan. He was wounded in the left leg at Mukden so severely that he was compelled to go home and even yet he limps slightly. He is one of the best me on the team, however, and always a great favorite with the crowds.” Kitsuse, however, immigrated to California on June 8, 1903, almost two years before the 1905 Battle of Mukden.

1906 Advertising Card, Ken Kitsuse Collection, National Baseball Hall of Fame

On Sunday, April 15 the two teams met on a leveled field just outside of town. There were no grandstands or bleachers—spectators sat and stood on a raised berm that surrounded the diamond. The high schoolers took the field in brand-new red and grey uniforms that had just arrived a couple of days before. The Japanese squad wore white pants reaching just below the knees, wide leather belts, maroon stockings, maroon undershirts, and a winged-collared maroon jersey with “Greens Japs” stitched in white block letters across the chest. The caps were white with maroon bills.

As the high school contained just 41 students, the match should have been an easy victory for Green’s independent team. Perhaps seeing the game as an opportunity to allow his weaker players to gain experience, Tobey started a mostly Japanese lineup. But Tobey had underestimated the skinny, 15-year-old redhead on the mound. The teenage ace, Fairfield “Jack” Walker would go on to pitch for the University of Kansas in 1911-12 and professionally in the Class D Nebraska State League and the Eastern Kansas League. Although a quiet kid, the Horton Headlight noted “when playing Walker wears a perpetual grin that makes a lot of batters mad because they think he is laughing at them.”

Besides Walker, the school’s lineup consisted of George Moss behind the plate; a boy identified only as Russell at first; Harold Haskins at second; Willis Cook at third; Leo Holthoefer at short; and Robert Barrett, John McNamara and Walker (unknown first name) in the outfield.

The schoolboys jumped out to an early 4-1 lead after three innings, forcing Tobey to bring in what the Marshall County Index called “five professional American players.” The visitors battled back, scoring in every inning after the second, to eventually win 11-8. The Frankfort Review reported, “A large number of people witnessed the game and they prounce [sic] it one of the best games ever played here.”

The near loss to schoolboys confirmed Tobey’s view that many of his Japanese players were not talented enough for an independent team. Green’s Japanese squad would stay on the road until October 10, playing about 170 games and winning 122 of the 142 games for which results are known, but there is no record of the team using an all Japanese starting lineup again.

Despite the lengthy tour and the uniqueness of the club, The Sporting News, as well as big market newspapers in New York, Washington and Los Angles, did not cover or even mention Green’s Japanese team. As a result, the first professional Japanese players had little impact on the national or international baseball scene and were soon forgotten. But the tour marked the true beginnings of Japanese-American baseball. After the season, the players headed back to the West Coast to form independent Japanese ball clubs. The Mikado’s Japanese Base Ball Team of Denver would barnstorm in Colorado and Kansas in 1908, while the Nanka of Los Angeles would play at the amateur level before changing its name to the Japanese Base Ball Association and becoming an independent barnstorming team in 1911. These teams’ success helped spawn numerous Nikkei clubs as baseball became an integral part of the Japanese-American community and culture.

1908 Denver Mikado’s Japanese Base Ball Team

You can read more about the Guy Green’s Japanese Base Ball Team and the early pioneers of Japanese American baseball in my new book Issei baseball: The First Japanese American Ballplayers (University of Nebraska Press, 2020).

I would like to thank Alice Jones of the Frankfort City Library and Dwight “Skip” McMillen for their invaluable help searching the archives in Frankfort, Kansas.

Identified Frankfort Players

Frank Robert Barrett (born April 16, 1888 Frankfort KS – died December 28, 1968 Los Angeles)

James Willis Cook (born April 30, 1887 Frankfort KS – died December 13, 1960 San Anselmo, CA

Harold Haskins (born ca. 1892- 12/6/1918, died in the 1918 influenza epidemic)

Leo Holthoefer (born January 1, 1886 Atchinson, KS – died December 12, 1927 Denver, CO)

John McNamara (born 1890, Nebraska)

George Edward Moss (born October 6, 1887 Frankfort KS – died June 13, 1961 Frankfort KS)

Fairfield “Jack” Walker (born February 20, 1891 Frankfort KS – died 1951, Wichita, KS)

July 10, 2025
Interview with Takeshi Koba

In October 2003, I had the pleasure of interviewing former Carp manager Takeshi Koba before an oldtimers’ game at Tokyo Dome. Koba played for the Carp from 1958 to 1969 but is more famous for managing Hiroshima during their famous Akaheru (Red Helmet) era. From 1975 to 1985 Koba led the Carp to ten winning seasons and three Japan Series championships. He was elected to the Japan hall of fame in 1999.

How does one become a manger in Japanese baseball? You ask the owner. There are many younger managers nowadays who have no coaching experience and of course no managing experience and yet they are able to become managers. I think that it’s different from the system in the United States. In Japan if you play and you become famous then you can become a manager.

In my first year as a manager, I was able to win the league championship. But you never know how many years you can actually be a manager. If you don’t get results, the fans aren’t happy, and the team nudges you to quit. So, what do you do? You have to play ball, you have to make sure that people who come to watch enjoy themselves, and also you have to win. So, you have to make sure that the players get together as one and work towards winning. My job as the manager was to make sure that the team was together on that. And when you eventually get fired, my goal was to not have regrets.

When you take over a team and you have no good pitchers and the defense is bad and you really have to start from scratch then it takes quite a long time to build a winning team, but usually there are only certain sections or certain players who need improvement. It was my job as a manager to reach out to those players and together with the coaches to nurture them in certain directions or in certain ways. Every year I would have to figure out who those players were and pick them out. There are only nine positions in baseball and not including the pitcher, eight positions. I always said that I wanted six or seven position players to be there until the end of the game.

When I became the manager, we had on our team Koji Yamamoto and Sachio Kinugasa. These were special players. They were recognized by all of the other ballplayers as stars, and they were why we were able to win the 1975 championship. They became role models for the younger players throughout the year. All I needed to say to the young players was, “If you want to catch up to Yamamoto and Kinugasa, if you want to exceed these two, you have to practice harder.” That’s all that was required.

I was also really very lucky with my two foreign players. Gail Hopkins and Richie Scheinblum could hit and play defense. They were all-round players. I could count on them from the beginning of the game to the end of the game. So, it made managing very easy. When U.S. players come to Japan, there are coming here after really working very hard in the American Minor and Major Leagues. As a manager I asked Jim Lefebvre to scout some players for us. I asked him for players who could adjust to the style here in Japan. Lefebvre said that it really depended on the wife. If the wife can be interested in coming to Japan, if the wife agrees and enjoys the experience then that’s very important. So, I asked for such players.

When I was a manager, I think that I did everything I wanted to do and I put my whole self into it. I gave it my best. There are many people who say that I am a Dr. Jekyll and Mr. Hyde—that I have a dual personality because outside of the field I’m very quiet and I don’t say much and don’t complain but once I’m on the field my eyes change, and I become very severe. There are some players who say that I hit them! I never hit anybody, but I put my all into it, and I made sure that the players understood that I’m putting my all into it because that’s an important part of creating a winning team.

I always told my players from the very beginning of the season that if they had complaints or there was something about the team or the way I was managing that they didn’t like that they could talk to me at any time. And if I could, I would solve that problem to the best of my abilities. Throughout the season, I thought if I could do that it would be best. I didn’t want to be at the end of the season with a player not doing his best and not performing well for the team. I wanted to avoid that kind of situation as it made everyone dissatisfied.

As a manager, I talked with my coaches, I talked with my staff, and I told them throughout the year that I was confident that I would do my best for the team but if during practice you find something that we need to do more or if another team was doing something that was better then tell me about it. I was proud of what I was doing but I might not have been doing it the best way so if there was something else that’s better, I wanted them to tell me about it. One thing that I think I succeeded in doing well was to create good switch hitters. For example, there were pitchers who the scouts brought to the team but we decided that they weren’t very good as pitchers so we decided to use them as outfielders. If they had the necessary legs and powerful bodies, I would tell them, “Why don’t you work hard and try to become a switch hitter?” Many of my athletes succeed in becoming very good switch hitters. With a group of good switch hitters we were able to create a good team. I think that is why we were able to compete for the league championship for many years.

When I was playing with a company team, one day I had injured my right finger and I came to the field in street clothes, carrying my right arm, obviously in pain. My manger was very angry with me. He said, “Go back in and put your uniform on!” After I put my uniform on again, he told me to stand in the batter’s box and he threw balls right at me. I was scared so I put my bat in front of me with my left hand because my right was injured. Somehow the ball was hitting the bat that I held with my left hand and my manger yelled, “See you can do it! If you work for one week, you can develop your left arm so you can hit with your left arm.” As you can see, my body is not very big. He said, “If you take time off, your body is going to be less developed so you can’t take any time off. You have to always be in there and keep playing.” That was an important lesson.

1975-76 Calbee Baseball Card of Takeshi Koba

[Editor’s note: In 1963, Koba’s sixth year of professional ball, Koba was in contention for the Central League batting title when he was hit in the face with a pitch and hospitalized.]

The injury definitely influence how I played afterwards, maybe it was just a matter of several millimeters but I was no longer able to hit the ball on the meat of the bat so my contact became weaker and therefore I didn’t have as many hits. My average went from .339 to .219 the next year. So, I asked myself how else can I contribute to the game? And I thought, I can use my legs. So, I started stealing bases and I led the league in stolen bases the following year. That’s what I told my athletes, “Ask yourself, how you can contribute to the game.”

When I was a manager, I always went to see the instructional league in Florida and we sent our young players there to participate. After the regular season here, I would go over and watch these young American players train and they would be working very hard. Most of them were from A or AA and were hoping to make it up to the AAA or Major League level. I took my young players with me because I wanted them to see what kind of severe reality, what kinds of conditions, the U.S. Minor Leaguers were playing in. U.S. players were given only $12 or $13 per day to participate in this. And if they didn’t perform well, they were put back down into the lower-level teams. I wanted the Carp players to understand this. I think that because the Carp players were actually able to see it for themselves, they were stimulated to improve more.

I was the manager of both Hiroshima and Yokohama. I was the manager of Hiroshima for eleven years. Managers of the other teams would say, “Hey, why are you practicing so hard?” Even when we were on the road before away games, I would always make sure that there were opportunities to practice just as hard. I think that the major difference between American and Japanese baseball, is that in America there is a Rookie League, A, AA, AAA, a whole system where the athletes who come up from the bottom can improve and move up to the next level. But in Japan, there is only the major club and the farm team. So, there are always about ten people, or more, in the farm who don’t quite have the bodies yet, don’t have the techniques yet to play in the major league. If you are always playing in the games you can gain the experience you need but if you aren’t in the games, you have to practice that much harder so that when it’s your turn to play in the games you can play well. If you don’t practice very hard, you can not surpass the other players and get into the major league. The other teams said, “Oh you practice so hard, you must always be tired.” But the tradition of hard practices still continues on the Hiroshima team today. I think because we had such hard practices the younger athletes grew and developed and matured.

July 9, 2025